Something remarkable happened to me the other night; remarkable because so often my dreams are painful expressions of things that afflict me; for instance the loss of confidence & self belief, & other insecurities which I need my waking hours to expel before facing another night which may or may not turn out to be another battle. These are quite likely to destroy my equilibrium for a few hours. Woe is me under these circumstances!
As often as not I can’t even remember what’s been
going on in these dreams but I know I haven’t enjoyed it. I guess if I can’t
remember them they can’t be that bad, whereas if I can
remember I can then work on exorcising them.
This night I
entered another world, anchored by the presence of three familiar characters; a
young version of Kate,(my daughter) Andy,(my wife), & a male friend I have
known for over 60 years.
This world, as you would expect from a dream, was very
much of my own invention which is to say it suited me rather than having
disturbing elements in it. I was able to inhabit it for longer than the normal
duration of a dream by gently compelling myself to stay within it, being aware
that I didn’t want to leave it
My vision was a sort of idealised “somewhere” between
town & country. I have to say that apart from my companions who were
drifting in & out of my company, there weren’t many people about.
The buildings surrounding me were not so much for
containing people as sculpted objects, the purpose of which was to express the
beauty of their materials.
And what extraordinary objects they were! Formed of
great slabs of glowing ceramics, sheets of darkened glass, slabs of terracotta,
bronze & stainless steel, with shafts of curved metal projecting at
purposeful angles, inviting exploration. This was not a vision of traditional
forms, but a modernist or cubist one, abstract rather than real, certainly
reminding me that surfaces don’t necessarily need decoration.
In the distance were buildings that were as ethereal
as spiders webs, sketched ideas that gained substance as I moved towards them;
line drawings that filled themselves in as I approached.
What was this about? I only wanted to share it with
people I knew well, beauty was everything, but it wasn’t the crafted beauty
which I set great store by, it was a modernist abstraction, infinitely appealing
with the language of an architecture I’d just invented but was not particularly
familiar to me
I felt that if I could have stayed within the dream I
could have extended this language for I was in a creative place, &
returning to reality meant returning to the world of my inhibitions. This world
was my production but I was being reminded of things I knew but had forgotten.
That there is a distinction between the real & the imagined, but it is up
to us to make the connection, That the imagined becomes real by a process which
at one point in my dream involved moving physically towards it yet might remain
more beautiful by keeping it at a distance, just on the edge of vision. That
beauty is akin to vitality & the perception of it is dependent on a state
of mind, although somethings are inherently beautiful. That culturally we are
disposed towards the appreciation of town & country combined although we
(I?) prefer not to share it with too many other souls lest they destroy that appreciation.
There is very little in the imagination that cannot be
made real. Reality progresses from vision through words & diagrams to
substance. Yet it is not just substance but an amalgam of things. Finally &
ultimately it will dissolve.
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